Inside Lucen, each piece begins as an act of touch.
Formed through hand, sculpted through breath, refined through vision.
The studio is not a factory. It is a space of quiet ritual. Here, jewellery begins as sculpture — carved first in clay, wax, or digitally — always guided by the intimate dialogue between material and form. Every Lucen piece is shaped with intention, balancing craft and technology, history and innovation.
The first movements are sculptural. Working in clay allows form to emerge intuitively — responding to the curve of a finger, the softness of light, the resonance of absence and presence. From these intimate studies, forms are digitized and refined without losing the hand’s original intention.
Each piece speaks a quiet language of contour and volume. Inspired by biomorphic architecture, Lee Ufan’s voids, and ancient goldsmithing, Lucen forms express the gentle tension between presence and emptiness — how what is not there holds meaning equal to what is.
From hand-sculpted models, we enter a dialogue with technology. 3D scanning and digital sculpting preserve the integrity of the form while allowing precision refinements. The master model is then produced for lost wax casting, before being brought back into the hand — where the final polishing, setting, and finishing return to pure craftsmanship.
